ALDEN JONES: HOW NOT TO WRITE A NOVEL, A TALK

YVETTE CHAPARRO: TOWARDS AN UNDERSTANDING OF THE PROGRAMME IN INDUSTRIAL DESIGN: DEVELOPING A NEW PEDAGOGICAL METHODOLOGY THROUGH ACTION RESEARCH, A TALK

ERIC ABAKA: DRAWING WITHOUT LOOKING: WHOLLY DRAWING AS PERCEPTUAL PRACTICE, A TALK

SUSAN FRANCIS: WE ARE MULTI-STOREY CREATURES, A SCREENING

DANIELA ALVES MARQUES: WORK THROUGH COLLABORATION: TURNING AN OLD GAS PUMP INTO AN ART PIECE, A TALK

RACHAEL ROSALIE VOLKER: DESIGN FOR NEURO-REHABILITATION, A PRESENTATION

STEFANIE DENZ: MOVING AND BUILDING IN CONNECTION, A WORKSHOP

JAMES WOOD: ECOLOGICAL MUSICOLOGY, A TALK

BRITTA FLUEVOG: ART ACTIVISM IS POWERFUL, A TALK

CHRIS TSOGIAS-RAZAKOV: CATALOGUING THE OXYAULOS ARCHIVE: DO WE KNOW WHAT WE HAVE? ESTABLISHING GROUND TRUTH DATASETS FOR THE DIGITISATION, INTERPRETATION, AND REGIONAL CONSCIOUSNESS OF THE HELLENIC OXYAULOS (OBOE) CORPUS, C.1830, A TALK

W.K. LYHNE: INSTABILITY AS METHOD, A TALK

ROSIE DAHLSTROM: BEAUTY AS A SOCIAL FORCE, A TALK

NKECHI NJAKA: PRACTICING COHERENCE: AN EMBODIED INQUIRY INTO RELATIONAL KNOWLEDGE, A WORKSHOP

CARRIE E NEAL: CURIOSITY TO CONVERSATION: A HANDS-ON LAB FOR SEMI-STRUCTURED INTERVIEW DESIGN, A WORKSHOP

JAKE TKACZYK: THE AESTHETICS OF AWE, MEANING, AND PLEASURE, A TALK

SHARRON HEFNER: OPEN SOURCE FILMMAKING: SOLARPUNK PRINCIPLES FOR INDEPENDENT PRODUCTION AND DISTRIBUTION, A TALK