The book retraces maternal philosophy by presenting an alternative genealogy and providing a concrete definition of the term (m)other. Most importantly, it introduces a new theory of The Gaze Economy in order to evaluate characters in films and measure its effect on the subjectivity of mothers.
Read MoreSlowspin is the moniker of Pakistan-raised, New York-based sound artist Zeerak Ahmed. Her work is grounded in North Indian classical and matrilineal vocal traditions, expanded through dream-folk, ambient, experimental, electronic, devotional song, and psychedelic sound practices. Poetry and melodies in her mother tongues — Urdu, Purbi and English — form new textural soundscapes for love, loss, and longing.
Read MoreOn May 29, 2026, Jisun Myung received the TYA 2026 National Award - Artistic Innovation Award from TYA/USA for the performance she created with the friends and co-artists titled Red. TYA/USA (USA ASSITEJ), founded in 1965, is the leading national service organization dedicated to professional theatre/performance for children and families.
Read MoreHands of Josephus is a series of five altered books created from distressed copies of Flavius Josepus' Twenty books of the Jewish Antiquities, The Life of Josephus and The Jewish Wars. Each page, cut in the shape of a hand is sewn on multiple beaded cords, then attached to wire hand forms encrusted with beads.
Read MoreHudson Hall presents Ghost Dance for America, 1890, a large-scale immersive film installation by filmmaker and artist Karl Nussbaum. Presented in Hudson Hall’s historic performance hall, the work draws on nineteenth-century pre-cinema illusions and optical devices to explore the history of the enslavement of Africans, Indigenous dispossession, colonization, and spiritual resistance in the United States.
Read MoreThe artworks by Leah Decter, a white settler artist and scholar, offer an opportunity to reflect on repair and care of relationships to the land and to each other. With captivating textures and colours, she provides a lens through which we may see differently familiar national icons and everyday experiences of Canadiana.
Read MoreWhat do historical telephone directories tell us? More than just names and numbers. They preserve traces of people, everyday life, and communication – sometimes quietly, sometimes unexpectedly. In this pop-up exhibition, artists worked with historical Swiss telephone directories from the PTT Archives on behalf of Wikimedia CH (Galleries, Libraries, Archives and Museums, WMCH).
Read MorePhD candidate Greg Lock curated an exhibition around climate change at the Tremaine Gallery of the Hotchkiss School in Connecticut, USA. Included in the exhibition are new works by Greg Lock.
Read MorePhD candidate Carlos Llerenga Aguirre has been included in the Mapping Printmaking World Book project curated by Nuno Canelas, and the Douro Printmaking Biennial. Portugal
The “Mapping Printmaking” project is a work in progress on a digital book that compiles the work of hundreds of artists from around the world in the field of printmaking. All traditional engraving techniques are covered, such as Metal Engraving, Linocut, etc.
Read MoreThe theme of resilience at Weaving Water @ Yarun grounded an 11 day program exploring deep connection to place. Delivered in a year marked by disruption and recovery, Weaving Water focused on responding — to weather, to place, and to community needs as they emerged. What remained constant was a shared commitment to care for water, Country and each other through partnership, kinship and respect.
Read MoreJisun Myung wrote 'Chapter 7: Communion of a Bowl of Seaweed Soup with Familiar Strangers: from Mukbang to Live Performance in the Miyeokguk Project' of "Performing the Edible: Sustenance, Sensation, and Sustainability" edited by Kristin Hunt (Routledge, 2026). This article is about of her recent performance piece that explores Korean women diaspora's reproductive stories.
Read MoreOroborotic, by Gabriela Gusmão, inaugurates the Spira Corridor at Casa TAO Brasil as a sensory exploration of transformation between body, time, and painting, inspired by the symbol of the ouroboros. The exhibition activates painting as a living, evolving field where materiality and thought merge in continuous becoming.
Read MoreMÆ – Motion Aftereffect addresses the perceptual and embodied implications of emerging consumer technologies associated with XR - Extended Reality (AR - Augmented Reality, VR - Virtual Reality, MR - Mixed Reality, 360° video, and spatial computing). Tickets available for Winnipeg and Québec.
Read MorePhD alum Erin Wilkerson published the manifesto, "Feral filmmaking: wilding cinema as a decolonial act," in the international cinema journal, La Furia Umana, issue 46: Nature/Ch'ixi/Culture and the Cinemas of Latin America. She developed the feral filmmaking methodology as part of her culminating thesis, "Invasive Species"
Read MoreThe Eclipse is a collaborative animation made by astronomers during a workshop in Texas, led by an animator and an astrophysicist, just before the 2024 solar eclipse. Inspired by the very first eclipse film from 1900, scientists with varying artistic skills gave their creative responses to a scientific phenomenon.
Read MoreMFA Alum Jaye Alison Moscariello exhibited work at the 48th ArtExpo New York art fair, in Solo Creatives Booth S305. The fair took place from April 3-6, 2025, in its new location at Pier 36, 299 South Street, New York, NY 10002.
Read MoreGuest Faculty Dean Kenning, with the Capital Drawing Club, are showing new disco-infused Marxist animations in the exhibition WORK, curated by Benjamin Orlow, at St. Chads Projects in London.
Read MorePhD candidate Juliette M. Ludeker's solo exhibition "Everything is Borrowed", places four series of photographic works in conversation with one another and with the central themes of impermanence and temporality.
Read MoreMFA Alums Honi Ryan & Abi Tariq, resident artists at POUSH collaborate on an exhibition titled Expectation is the Mother as a part of a series of 6 duwoshows in the RIFT space.
Read MoreMFA Alum Miriam Schaer's artist book 'Ancient Armor' is included in 'Solid Gold,' an exhibition celebrating the Brooklyn Museum's 200th anniversary (November 16, 2024–July 6, 2025).
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