Fawz Kabra is founder and director of Brief Histories gallery in New York City, where she collaborates with artists on exhibitions and publication projects.
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Dean Kenning is an artist, writer and educator who lives in London. He makes kinetic sculptures that suggest an idiotic vitalism and he also has a wide-ranging diagram practice spanning art and learning. He has written about the politics of art and art education. He is the winner of the Mark Tanner Sculpture Award 2020-21.
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Michael Kliën is a choreographer and artist whose work has been situated around the world. Kliën’s artistic practice encompasses interdisciplinary thinking, critical writing, curatorial projects, and, centrally, choreographic works equally at home in the Performing as well as the Fine Arts.
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Caroline Koebel is an Austin-based filmmaker and writer, with recent retrospectives at Festival Cine//B (Santiago, Chile) and Directors Lounge (Berlin, Germany). Current research focuses on the relationship individuals have to the greater reality of contemporary global experience and the means by which information is disseminated, gathered and assimilated in the Web 2.0 age.
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Paula Kramer is an artist-researcher and movement artist based in Berlin. She holds a practice-as-research PhD in Dance (Coventry University) and was a post-doctoral researcher at Uniarts Helsinki between 2016 and 2019. She is currently active as an independent artist-researcher and until the end of 2020 as a visiting researcher at the Centre for Artistic Research of Uniarts Helsinki.
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Ira Hoffecker is a German-Canadian artist who has resided and maintained her art practise in Victoria, Canada since 2004. She is an active member of the Federation of Canadian Artists.
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Irene Loy is a theater maker, creative nonfiction essay writer, and university arts administrator living in Salt Lake City while she finishes her doctoral studies. She holds an MFA in Dramatic Writing from the University of New Mexico and an MA in Speech and Hearing Sciences from Indiana University-Bloomington. She has lived abroad in Canberra, Australia, and Vienna, Austria, and domestically in several US states.
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Joasia Krysa is curator and Professor of Exhibition Research at Liverpool John Moores University’s School of Art and Design, with an adjunct position at Liverpool Biennial. At LJMU she leads the development of Exhibition Research Lab (ERL), a public venue and a research centre dedicated to the interdisciplinary study of exhibitions and curatorial knowledge.
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Stephen Kwok makes experimental events that incorporate sculpture, live performance, digital media, and text. He has exhibited his work at Seoul Museum of Art; Surplus Space, Wuhan; Haus der Kulturen der Welt, Berlin; Center for Performance Research, Brooklyn; Julius Caesar Gallery, Chicago; Contemporary Arts Center, New Orleans; and Lawndale Art Center, Houston. He was an artist-in-residence at Delfina Foundation’s Performance as Process program in London.
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Steve Lambert explores advertising and the issues of public space and how it is connected to the commercialism and aggression of the military-industrial complex. He works in mediums that have included objects, performance, and video.
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jLuis A Lara Malvacías I am a Venezuelan experimental and trans-disciplinary artist and dance teacher whose body of work includes creating multidisciplinary works with a great focus on movement practices. My research and process reflect my experience as part of the larger diaspora of Latinx brown queer immigrant artists.
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Hana Leaper was appointed to the post of John Moores Painting Prize Senior Lecturer and Development Manager in late 2017. She began to undertake research on the John Moores Painting Prize in her previous role as Paul Mellon Centre Fellow and one of the founding Editors of the prestigious born-digital journal British Art Studies at the Paul Mellon Centre, a part of Yale University.
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Mia van Leeuwen practices the body of performance to explore wide-ranging themes (fandom, whiteness, death, religion, pop culture) – while playfully blurring the lines between theatre and visual art. Queering, juxtaposing, unsettling, disturbing, re-mixing, winking, collaborating, baring process, and making strange are some of the actions that inform the devising of her various projects.
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Yuen Fong Ling is an artist and Senior Lecturer at Sheffield Hallam University, specialising in social art practice, post-colonial art and queer art theory, and founder member of The Human Memorial Research Collective. Ling has an MFA from Glasgow School of Art (2005-7), and a Fine Art PhD by Practice from University of Lincoln entitled “A Body of Relations: Reconfiguring the Life Class” completed in 2016.
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Anne Livingston, a painter, writer, culinarian, and educator, holds a BA in Comparative Literature from University of Washington, a Master in Teaching from Seattle University, and an AAS in Culinary Arts from Seattle Culinary Academy. She’s an alumna of The Modern Color Atelier for painting at Gage Academy of Art.
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Full List of LJMU Supervisors
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Greg Lock’s sculptural curiosity for investigating materials is sustained through what I consider the comparable experimentation with virtual digital objects. The results of my playful interaction with materials both physical and virtual often results in objects; my artwork. I show and share this work and I find the challenge of curating my own practice for exhibition a fulfilling experience.
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Alanna Lockward (1961 - 2019) has excelled as a journalist, classical ballet dancer, author and contemporary arts curator specialized in time-based undertakings. Born in Santo Domingo, Dominican Republic, she has a licentiate degree in Communication Science from the Universidad Autónoma Metropolitana-Xochimilco, México, City, and a masters in Art in Context from the University of the Arts Berlin.
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Ilaria Mancia is a curator, organizer, and dramaturg of performing arts. Graduated in Philosophy (Aesthetics), at Bologna University, she obtained a Master's degree in Performing arts science and techniques from the University of Parma.
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Anne Sophie Lorange grew up in the U.S. and moved to Scandinavia as a teenager. With her bilingual background, she explores the notion of liminality, nostalgia and belongingness. Her narrative invites the spectator into a reflective space between inner and outer landscapes. Her artistic practice explores creative dialogs of liminal space that illuminate a pathway into identity, cultural history and personal narrative through abstraction.
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